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  • Cult Classic ‘Twogether’: The Love Story Everyone’s Obsessed With

    ON-DEMAND

    Twogether is a stunning love story that bursts out of the indie scene to capture your heart with its raw emotion and authenticity. Unlike your typical Hollywood romance, Twogether offers a gritty, real-world narrative featuring characters who think deeply and feel profoundly. This gem, crafted by writer-director Andrew Chiaramonte after nearly a decade of dedication, stars the incredible duo Nick Cassavetes and Brenda Bakke, who bring remarkable depth to their roles.

    Cassavetes shines as John Madler, a passionate and unpredictable Venice-based painter. He’s the kind of guy who leverages his good looks and the enigmatic allure of being an artist to live life on his terms. At a gallery event supporting a Greenpeace-esque cause, he locks eyes with volunteer Allison McKenzie, played by Bakke. The chemistry is instant and electric, leading to a wild night in Vegas that ends with an unexpected marriage.

    Determined to part ways like “mature, intelligent adults”—in Allison’s words—they plan a quick divorce. However, when Allison visits John’s Venice hideaway to finalize the papers, they find themselves in bed once again, resulting in an unplanned pregnancy. They initially agree on an abortion but are ultimately unable to follow through, setting the stage for an intense journey of mutual discovery.

    Chiaramonte masterfully propels the story forward with sharp montages and a keen sense of what to leave out, ensuring the film never drags. We join John and Allison as they navigate their evolving relationship, a strategy that draws us in completely.

    Allison emerges as the film’s standout revelation. Behind her confident exterior lies a woman haunted by a painful past, the neglected daughter of a rigidly conservative Bel-Air family. As John falls for her, she moves in during her pregnancy, but his pride and fierce independence keep him from admitting his true feelings, even to himself.

    At its core, Twogether is about the universal struggles of making choices, setting priorities, and the harsh realities of relationships. It highlights the challenges of responsibility, the pitfalls of immaturity and self-absorption, and the journey toward self-awareness and growth, regardless of age.

    Chiaramonte elicits deeply honest performances from Cassavetes and Bakke, who expose their souls and bodies on screen. If there’s any justice in the world, Twogether will catapult their careers to new heights. The supporting cast is equally strong, with Damian London standing out as the tough-minded art gallery owner.

    Twogether is a heartfelt indie film that wears its emotions proudly and has the potential to break into the mainstream.

    Twogether Cast:
    Nick Cassavetes: John Madler
    Brenda Bakke: Allison McKenzie
    Damian London: Mark Saffron
    Jeremy Piven: Arnie

    Twogether is currently being distributed by Freestyle Digital Media and available to watch for free or on-demand. Writer-director Andrew Chiaramonte. Producers Emett Alston, Chiaramonte. Co-producer Todd Fisher. Cinematographer Eugene Shlugleit. Editors Fisher, Chiaramonte. Costumes Jacqueline Johnson. Music Nigel Holton. Production designer Phil Brandes. Art director Phil Zarling. Sound Kip Gynn. Running time: 2 hours, 2 minutes.

  • “Young & Cursed” The Disturbing Horror Movie is A Cinematic Experience Set to Thrill Audiences in 2024

    “Young & Cursed” The Disturbing Horror Movie is A Cinematic Experience Set to Thrill Audiences in 2024

    ‘Young & Cursed’, a Chiaramonte Films, Inc. production, is a new horror movie / psychological thriller which is set to be released in early 2024.

    LOS ANGELES, CA, UNITED STATES, November 1, 2023 — Audiences are excited about this new cinematic experience as the talented team of Andrew Chiaramonte and Emmett Alston unites to present their gripping horror / psychological thriller film, “Young & Cursed,” scheduled for release in 2024.

    Beneath the eerie canopy of an impending Blood Moon Lunar Eclipse, “Young & Cursed” unveils a harrowing tale that will grip the souls of horror enthusiasts. The narrative unravels around five young souls from diverse backgrounds, drawn unknowingly to a desolate and enigmatic cabin in the wilderness.

    Maria (Jennifer Rosas), tormented by the ghostly specter that haunts her every waking moment, and Jason (Stevarion Allen), a gifted musician stalked by a nightmarish demonic version of himself, are drawn together by forces beyond their comprehension.

    Trudy (Morgan Franz) harbors her own unspeakable terrors, besieged by a grotesque demon that mercilessly torments her during the dark hours. Tahoma (Reda Fassi-Fihri) finds himself pursued by a evil Skinwalker, while Donny (CJ Malone), a tech prodigy with a conflicted past, grapples with a demonic possession that has finally reached its terrifying zenith.

    Their lives intertwine with that of Kyra (Madison Hubler), a spellbinding enigma residing within the cabin, who appears to be simultaneously oblivious and all-knowing. Within her, lurks one of the most sinister demons to ever haunt mankind, Lilith (Britt Crisp), a malevolent entity that has endured since time’s inception, serving a nefarious purpose that will send shivers down the viewer’s spine.

    Leading the charge in this thrilling cinematic endeavor are the brilliant director and producer duo, Andrew Chiaramonte and Emmett Alston, who have combined their creative prowess and extensive experience to produce, “Young & Cursed”, a movie that will enthrall audiences worldwide.

    When asked about the inspiration behind “Young & Cursed,” Chiaramonte and Alston cited their fascination with the enigmatic Blood Moon, a celestial phenomenon steeped in mystery and superstition. This rare lunar event offered the ideal canvas for weaving a narrative that seamlessly merges elements of horror, suspense, and psychological drama.

    “Young & Cursed” boasts an ensemble cast of exceptional actors who bring their characters to life with unwavering incisive understanding and depth, immersing the audience further into the haunting world of the film.

    More than just a run-of-the-mill thriller, “Young & Cursed” is a meticulously crafted masterpiece that plays with the audience’s emotions, ensuring they remain on the edge of their seats throughout. The film’s atmospheric cinematography by Gary Ahmed, and haunting score by composer Patrick O’Malley, in perfect harmony to create an immersive experience that indelibly impacts the viewers world.

    Months prior to its release, “Young & Cursed” has already generated substantial buzz within the film industry and among eager movie fans. With its unique storyline, impeccable direction, and exceptional performances, the film is poised to become a breakout hit. “Young & Cursed” is an exciting cinematic venture that promises to be a standout addition to the horror thriller genre. With its talented creative team, bewitching plotline, and stellar cast, the film is primed to dominate the box office and capture the hearts of audiences worldwide.

    For more information, please visit the official website of “Young & Cursed” at youngandcursed.com.

    About Chiaramonte Films, Inc.

    Chiaramonte Films, Inc. is a renowned film production company known for delivering captivating and groundbreaking cinematic experiences. With a commitment to pushing creative boundaries, Chiaramonte Films, Inc. has consistently delivered critically acclaimed films that leave a lasting impact on audiences worldwide. For more information, visit chiaramontefilms.com .

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  • Benicio Del Toro on ‘One Battle After Another,’ Latino Representation, Directing Aspirations and Wanting to Host ‘SNL’

    Twenty-four years after winning his Oscar for “Traffic,” Benicio Del Toro is back in the awards conversation with a performance that reminds us why he’s one of the most compelling actors of his generation.

    In Paul Thomas Anderson’s “One Battle After Another,” Del Toro plays Sensei, a character whose quiet dignity and unwavering optimism provide the film’s emotional anchor amid chaos and uncertainty.

    When Anderson called, the answer was simple. “It’s PTA,” Del Toro says matter-of-factly. “He calls any actor on the planet, and they’re going to say, ‘Yeah, what do you got? Whatever, I’ll do it.’” The prospect of working alongside Leonardo DiCaprio and Sean Penn only sweetened the deal.

    However, what truly informed Del Toro’s performance was the research. The production visited facilities in El Paso where migrant families wait in limbo, uncertain of their futures. “It was pretty moving, seeing these people, what appears to be good people, looking for a better future, being stuck in a situation that is pretty unstable and not knowing what their future would be,” Del Toro recalls. “That research that we did just made it real for everybody — for the set decorator, for the art department, for the director and for me.”

    Anderson gave Del Toro a piece of direction that became a mantra for the character and a philosophy for life: “Get back on defense.” The phrase, which Del Toro remembers from working with the auteur on “Inherent Vice,” eventually made its way into the script. “Don’t get bogged down on things,” Del Toro explains. “Just keep looking, being. Think about the next play. He’s a ‘next play’ type of director, always looking ahead. I think that it’s healthy for actors to be like that. You try your best, but you can be stuck on something you did. You need to learn to let it go real quick, because tomorrow is another day.”

    As one of only a handful of Latino actors to win an Academy Award — and with Latinas having won just three times in history — Del Toro has a unique perspective on representation in Hollywood. While he acknowledges there’s more opportunity now than when he started, he’s frank about what’s still missing.

    “I still haven’t seen a Latino movement,” he admits. “There was an African American movement with Spike Lee, Denzel Washington and Don Cheadle. There’s a lot of filmmakers, and it’s amazing. The Italian American story has been told. Latino is somewhat different.”

    He pauses, searching sensitively for the right words, and then continues: “I’m always hoping that there’s more opportunity and there’s more stories. I don’t think we’re there when it comes to stories of the Hispanic story in the United States, and that includes Puerto Rico, every different Latinos that live, whether it’s in Florida, Chicago, California, New York, Texas, New Mexico. There’s a lot of Latinos in this country.”

    Del Toro sees a potential solution, one that involves stepping behind the camera himself. “I like to get behind the camera and tell a story about that,” he says. “That’s something I would like to do. I’m not saying that I’m that voice. That voice is right now probably in high school, or they’re in college right now, and are about to break out. It’s going to happen.”

    Having directed a segment in “Seven Days in Havana,” Del Toro feels ready himself.

    “I’ve had an incredible education on cinema. If you take everyone that I’ve worked with and all the projects that I’ve worked with, inevitably you start feeling like, I want to maybe get behind and tell a story that comes from me — being American, being Latino, and the experience of being a Latino in this time and world that we’re in.”

    In a moment when the world feels increasingly fractured, Del Toro finds hope in his “One Battle After Another” character.

    “Sensei has this thing that I feel is always positive,” he shares. “It’s staying in that positive and keep doing your thing. Good and truth will hopefully come up and show its face and win.” He draws parallels to 1968, another tumultuous time. “Kids were being drafted to go to war. Leaders were being shut down permanently. You just have to keep going. I have faith in the youth, even though my daughter is stuck on a phone all the time. There’s good, and we have to trust in the young people.”

    As Del Toro prepares for his next role — he’s shooting another film in January — he’s also laying groundwork for that directorial debut, ready to tell the Latino American story that still hasn’t been told. For now, though, he’s savoring the response to “One Battle After Another” and the character who embodies resilience in dark times.

    “The worst thing would be to quit,” Del Toro says. “You can’t quit.”

    Leonardo DiCaprio and Benicio Del Toro in “One Battle After Another.”

    Read excerpts from his interview below, which has been edited and condensed for clarity.

    What made you say yes to Paul Thomas Anderson for this film?

    It’s PTA. He can call any actor on the planet and they’ll say, “Yeah, what do you got? I’ll do it.” And the fact that Leonardo DiCaprio was in it — and then Sean Penn shortly after — that’s what I was surrounded by when I first spoke with him.

    What did it mean to you personally to see the refugee families depicted in the film? Did it feel realistic?

    We visited places where migrants were living and waiting to be processed, families stuck in that limbo of not knowing whether they’d be allowed in or sent back. It was moving — they seemed like good people looking for a better future, yet trapped in instability. That research made everything more real for all of us: for the art department, for the director and for me. It was intense.

    Was there a piece of direction from PTA that changed your understanding of the role?

    He kept saying, “Get back on defense.” It’s even in the movie. It means don’t get bogged down — stay present, look ahead. Actors can get stuck on something for a year. PTA’s a “next play” director, and it’s healthy. He told me that on “Inherent Vice,” and we ended up adding it to the script here too.

    You won your Oscar 24 years ago and remain one of the few Latino actors to do so. Do you see representation improving?

    Opportunity is the big question. I think there’s more opportunity now for Latino actors because there’s more opportunity for actors in general — so much content, so many platforms. But when it comes to stories, I don’t think we’re there yet. I haven’t seen a Latino movement like we saw with African American filmmakers or Italian American stories. We need more stories about the many Latino communities across the U.S. I hope that comes.

    Do you have the itch to direct?

    Maybe one day. Right now I’m prepping another acting project, but I’ve had an incredible education just from the filmmakers I’ve worked with. At some point, I’d like to tell a story that comes from my experience — being American, being Latino, living in this moment. I’m not saying I’m the voice. That voice is probably in high school or college right now. But we need more young Latinos feeling like it’s possible. If my work helps shine a light for someone, that matters.

    Is there a filmmaker you haven’t worked with who’s on your bucket list?

    There are many. Scorsese, Spielberg, Spike Lee, Kathryn Bigelow. The Coen brothers. Tarantino — I actually auditioned for “Reservoir Dogs.” And filmmakers like Barry Jenkins and Celine Song. I feel like I could work well with them too.

    The movie touches on issues we’re facing today. What wisdom do you lean on right now?

    I think Sensei, my character, carries something I believe: tomorrow is another day, and there’s always hope. You can’t quit. I hope good and truth eventually rise. Extremes are scary on both sides, but you have to listen, respect, reach across. That positivity is part of why people like the character.

    History has had other chaotic periods — look at 1968 and ’69. We just have to keep going. I have faith in the youth, even if my daughter’s glued to her phone. They care. They’re aware. And in the movie, Chase Infiniti’s character shows that spirit — standing up for what’s right. Maybe this generation will get it right.

    You appeared on Bad Bunny’s “SNL” episode but haven’t hosted. Are you open to it?

    There are a lot of things I haven’t done. I have to save something for later. But I love “SNL.” Doing that episode was a lot of fun. So yes — maybe one day.

    Clayton Davis

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  • Trump says $1 million “gold card” visa could be lucrative for the U.S. Here’s how it works.

    President Trump is touting his administration’s new “gold card” visa as a fast track for foreigners who are willing and able to pay $1 million for the right to immigrate to the U.S. 

    Applications for the new visa went live on Wednesday afternoon, with the government website for the gold card saying the process can be completed in a matter of weeks after applicants file their paperwork. 

    Mr. Trump unveiled the gold card initiative in February, promoting it as an expedited path for wealthy foreigners to secure legal residency and as a way to generate government revenue. The term riffs on the “green card,” which grants permanent residency status to noncitizens so they can live and work in the U.S. indefinitely.

    “All funds go to the United States government — it could be a tremendous amount of money,” Mr. Trump said on Wednesday about the gold card. “It’s somewhat like a green card, but with big advantages over a green card.”

    The program also includes a $2 million gold card for corporations that want to secure visas for workers, as well as a $5 million platinum card that allows foreigners to spend up to 270 days in the U.S. without being required to pay federal income tax on non-U.S. income.

    Here’s how the gold card program will work. 

    What is a Trump gold card?

    In essence, it’s a green card that has been fast-tracked by the Trump administration.

    The website to apply for a gold card states that successful applicants will receive either an EB-1 or EB-2 visa, two kinds of employment-based green cards for skilled workers. To apply for an individual gold card, applicants must: 

    • Pay a nonrefundable $15,000 processing fee to the Department of Homeland Security.
    • Undergo a vetting process, including a visa interview.
    • Make a $1 million gift to the federal government after the vetting is complete.

    The new program also allows companies to obtain gold cards for employees, one per worker, with each requiring a $2 million donation, according to the website.

    Applicants must pay a $15,000 fee that will cover the cost of processing and conducting a background check, along with a 1% annual maintenance fee. Companies may also transfer the gold card between employees for a 5% transfer fee, the program specifies.

    A transfer could happen if a gold card holder becomes a U.S. citizen, for example.

    One potential difference between the Trump gold card and other types of green cards is that the new visa process could take only weeks, according to the Trump administration. 

    By comparison, immigrants who apply for a regular green card can expect to wait between eight months and three years for approval, according to immigration services company Boundless. The quickest processing time is for spouses of U.S. citizens, who typically face an eight-month wait, the group said. 

    How is the Trump gold card different from an EB-5 visa?

    The gold card is meant to replace EB-5 visas, which Congress created in 1990 to generate foreign investment. These have been available to people who spend at least $1 million to start a company with at least 10 workers.

    Unlike the EB-5 visa, however, a gold card visa doesn’t require applicants to create a certain number of jobs or to invest in U.S. businesses. 

    The EB-5 program has been criticized as cumbersome and as an invitation to commit fraud. In one notable case in recent years, hundreds of EB-5 applicants were defrauded by business executives in Vermont who claimed to be building a biotech facility, but who instead used the money for personal expenses.

    The process to obtain an EB-5 visa is also glacially slow, with a processing time of almost six years. That is “by far the longest processing times in the U.S. immigration system,” according to an April blog post about the Trump gold cards from the Economic Innovation Group, a bipartisan policy research group. 

    The gold card is designed to help companies recruit foreign graduates of U.S. universities such as MIT and Harvard, Mr. Trump said on Wednesday. 

    “I’ve heard from Tim Cook of Apple, and I’ve heard from a lot of people, some of the people at this table, that essentially, in the United States, you can’t keep the student,” Mr. Trump said.

    Can gold card holders become citizens?

    Gold card recipients “have a path to citizenship,” U.S. Commerce Secretary Howard Lutnick said at the press conference on Wednesday with Mr. Trump. 

    “Obviously, they have to be perfect people in America, and having passed the vetting, after five years they’ll be available to become citizens,” Lutnick said. 

    Green card holders can typically apply for citizenship after residing in the U.S. for five years.

    Companies that secure a gold card for workers who then become citizens can transfer the card to new employees, Lutnick added. 

    Can a gold card visa be revoked?

    Yes: The application website states: “The Trump Gold Card is a visa; therefore, national security and significant criminal risks are a basis for revocation.”

    How much money could the visa program raise for the U.S.?

    Mr. Trump didn’t provide an estimate this week, but the program “could generate tens of billions in annual revenue,” according to the Economic Innovation Group.

    Based on the $1 million cost of a gold card visa, the program could raise $100 billion over a decade, the group said, assuming a “conservative” estimate that the Trump administration could issue 10,000 gold cards per year. 

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  • Call Of Duty: Black Ops 7 Sales Were Significantly Down From Black Ops 6 – Report

    For the past two decades, the Call of Duty titles have almost always been the US’s top-selling games of the year. But it looks like Call of Duty: Black Ops 7 is experiencing a marked decline in sales from its predecessor, Call of Duty: Black Ops 6.

    According to GamesIndustry.biz, Alinea Analytics’ data indicates that Black Ops 7 sold 401,000 copies on Steam in the first 26 days after its launch. By comparison, Black Ops 6 sold 2.3 million copies in the same time period in 2024. Call of Duty games have historically sold fewer copies on Steam than on consoles, and Black Ops 6 and 7 were both included with PC Game Pass. But that doesn’t account for why the latter had such a dramatic decline.

    Video Game Insights also shared data that suggests Black Ops 7’s daily active users dropped to 18 million in November 2025, down from 36 million DAU in December 2024. Going back to Modern Warfare in 2022, concurrent users on Steam had been on a steady decline from 500,000 in early 2023 before briefly rebounding to over 300,000 players for Black Ops 6. Currently, Black Ops 7 is estimated to have a concurrent count between 50,000 and 100,000 players on Steam.

    “The data points to a foundational engagement challenge for Black Ops 7,” reads a statement from Video Game Insights. “Whether the cause lies in franchise fatigue, shifting genre preferences, competition from other titles, or a misalignment with player expectations, the early indicators are clear: this is not a normal launch-cycle fluctuation. It is a significant departure from historical performance.”

    Earlier this week, Activision itself acknowledged that Black Ops 7 fell short of the mark the publisher set for itself. That was soon followed by an announcement from Microsoft that Call Of Duty was 2025’s top franchise on Game Pass. Both of those things can be true, but it remains to be seen whether the decline in standalone sales is being made offset by Game Pass or other factors.

    Microsoft and Activision haven’t shared their Call of Duty plans for 2026 yet. The one thing we do know from Activision’s recent dispatch is that there won’t be any more Modern Warfare or Black Ops sequels dropping in consecutive years.

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  • Arizona Humane Society opens new urgent care clinic for pets

    PHOENIX — Beginning Thursday, December 11, the Arizona Humane Society will open its doors to pet owners as a new option for after-hours non-emergency pet care.

    The clinic will be open at the Arizona Humane Society’s Papago Park Campus Thursday through Sunday from 6 p.m. to 2 a.m.

    The organization stresses this is for non-emergency, but time-sensitive pet needs lke vomiting, ear infections, urinary tract infections, and minor wounds.

    “Our community is really struggling, especially with veterinary care here in the valley, leading to more pets being surrendered to valley shelters. So we’re really hoping that this clinic can help more pets to be able to get the care that they need to be able to stay in their loving homes,” said spokesperson Kelsey Dickerson.

    Dickerson says this has been in the works for a while, and they hope to expand their hours and offerings in the future.

    If your pet needs emergency assistance, the AZ Humane Society recommends visiting your closest emergency veterinary clinic.

    For more information on the clinic, go to AZhumane.org/urgent-care.

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  • Time Magazine selects

    Time Magazine has just announced its 2025 Person of the Year, recognizing not just one person, but a group its calling “architects of AI.” The digital article is out now.

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  • Burrow focuses on having ‘fun’ playing football

    CINCINNATI — The latest injury in Joe Burrow‘s career has caused him to change his perspective of football.

    On Wednesday, the Cincinnati Bengals quarterback revealed that he didn’t view playing football as fun before he suffered a turf toe injury on Week 2 of this season that sidelined him for nine games.

    Since his return, the Bengals have split games against the Baltimore Ravens and the Buffalo Bills. After the latter contest, a 39-34 road defeat at Buffalo, Burrow said he wanted to “go have fun [and] play football.”

    When asked to expound on that topic on Wednesday, Burrow said that must be a priority for him moving forward.

    “If I want to keep doing this, I have to have fun doing it,” said Burrow, who added that his desire to win remains unchanged. “I’ve been through a lot and if it’s not fun, then what am I doing it for? So that’s the mindset I’m trying to bring to the table.”

    Burrow’s sixth NFL season has been a tumultuous one. He went on injured reserve for the third time in his career. The previous instances involved season-ending injuries — torn left knee ligaments in 2020, his rookie season, and a ruptured ligament in his throwing wrist that halted his 2023 season.

    While this one wasn’t in the same category, he missed the most games in a season because of the turf toe injury that required surgery. He is playing with a new pair of cleats and a carbon fiber plate and a custom orthotic to keep the shoe firm and the big toe in his left foot from bending backwards.

    After the loss to Buffalo, Burrow also spoke about the importance of putting on a show in addition to having fun. On Wednesday, ahead of another game against the Ravens (6-7), Burrow explained why he feels the need to be a showman.

    “Number one, I work hard for it,” said Burrow, who turned 29 on Wednesday. “Number two, this is, at the end of the day, the entertainment industry. And I want to go out and play well and if you’re playing well and scoring points and winning games, then it’s usually fun to watch.”

    But for Burrow, playing needs to be fun, too.

    Even with the injuries, Burrow has enjoyed a prolific career. He helped the Bengals win two AFC North titles, played and lost in Super Bowl LVI, is a two-time Pro Bowler and won The Associated Press Comeback Player of the Year in 2021 and 2024.

    But the setbacks over the years have taken their toll.

    “I think I’ve been through more than most,” Burrow said. “Certainly not easy on the brain or the body, so just trying to have fun doing it again.”

    Cincinnati (4-9) is also headed to its first losing season since 2020, Burrow’s rookie season. The former No. 1 overall draft pick said the team isn’t thinking about the playoffs this season. A loss to the Ravens on Sunday at Paycor Stadium will seal the Bengals’ third straight year without a postseason.

    Ben Baby

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  • These Jacket Trends Will Officially Become a Status Symbol in 2026

    With the arrival of 2026, we’re considering how fashion will shift for the new year. With all of the new creative director appointments and collection debuts, there has been a lot of change to keep track of on the runway and in the luxury space. Silhouettes are shifting, aesthetics are changing, and new ideas are percolating that are primed to set the tone for plenty of change in what people are wearing in 2026. Though it’s hard to predict exactly what the biggest trends will be next year, we already have some clear clues from the runways.

    These themes extend across fashion as a whole as we look to fall, but we’re narrowing in on the key jacket trends to know for 2026. We have our eyes on everything from distinct silhouettes and materials to the way designers are breathing new life into classics. Ahead, find out more on the top jacket trends to know for 2026 and the key pieces to add to your shopping cart.

    The Preppy Blazer

    (Image credit: Launchmetics)

    There is nothing more classic than a navy double-breasted blazer with gold buttons. Turns out, there is also nothing more on-trend for 2026.

    The Leather Funnel-Neck Jacket

    Spring/summer 2026 runway jackets

    (Image credit: Launchmetics)

    The funnel-neck jacket has been a topic of conversation for many seasons. If you’ve already invested in one, great, because they’ll still be big for 2026. If you have yet to add one to your closet, the leather version will be especially relevant.

    The Tactile Jacket

    Chanel spring/summer 2026 runway look

    (Image credit: Launchmetrics)

    Classic materials like tweed are being reworked on the runways, specifically with tactile textures and fringe, which adds an element of artisanal craft.

    The Cape Jacket

    Spring/summer 2026 runway jackets

    (Image credit: Launchmetics)

    Cape details have been on the rise, but they will be inescapable come 2026. Look for cape jackets in everything blazer form to wrapped versions.

    The Shrunken Jacket

    Spring/summer 2026 runway jackets

    (Image credit: Launchmetics)

    Proportion play was big on the spring/summer 2026 runways. We saw this in full effect at Dior, where the iconic jacket was shrunken.